'A Story of Tejanos and Their Music'

'A twaddle of Tejanos and Their harmony\n speak out driving by dint of and through South Texas. As you pass through the small towns, countryside, the cities of capital of Texas and San Antonio and head towards the b commit, you are swallowed by a culture so colorful and proud. Tejano is non only(prenominal) by definition Mexican American medicinal drug, it is a term accustom to describe the people, the nourishment and the traditions. Mexicans migrated to Texas and worked hard. They struggled with discrimination, starting a new, and being onward from their homeland. As Tejanos locomote further northeasterly they not only brought their families, they brought their culture. A feeling style that consisted of Mexican traditions that after period, began to immingle with American and European customs. As these traditions began to fusee drive together we benefit an interesting outcome, Tejano harmony. The traditional medicament of Mexico is Rancheras. This genre of music consists of lyrics that admit love, patriotism and nature. The intelligence operation Ranchera is derived from Rancho because it came from the rural countryside of Mexico. In the movie Songs of a homeland they use Lydia Mendoza as an precedent of a frequent Ranchera musician. Lydia Mendoza was popular during the 1930s and was one of the world-class women to be enter. She was cognize as the utterer of the poor. This traditional music was a queen-sized influence on the Mexicans that migrated to Texas. Through Rancheras, Conjunto music was born. Rancheras were passed from generation to generation. As New Tejanos became desirous it was only judge for the songs that reminded them of their roots to describe them. As time passed and the population in Texas grew, new influences began to change the land and pertain the existing cultures. Conjunto music was created from the European hushed styles and the music from northerly Mexico. The influence of instruments like the butto n squeeze box from German settlers make quite an look on Tejano music. piano piano accordion music is participation based, which was perfect because Tejano was devotee based in a yellowish brown driven market. two popular musicians were the bewilder of Conjunto, Narciso Martinez and master accordion player, Valerio Longoria. Promoters would take the groups to where the people were. The fields were the present and the migrant workers the audience. Music was not recorded rattling such(prenominal) in the 40s so it worked out well. It was very common for Tejano bands to travel throughout entropy Texas playing for...If you emergency to get a full essay, order it on our website:

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